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You are here: Home / BLOG

WESTLIFE – Day Two

March 4, 2000 by Nigel Dick

The weather is playing tricks with us again and there’s a big storm coming in so at call time we have to re-arrange the schedule and shoot the afternoon stuff first so we don’t get drenched. This makes us all look like idiots in front of the band who have to swap out of the outfits they’ve just changed into.

Today is another one of those races against time. The band got up at 5am this morning to be on set at 6am. We need to get them out of here by 6pm so they can make a 730 flight out of LAX for London. From London they will fly to Dublin and race to a gig they have scheduled tomorrow night. When they step onstage they will have not been to bed for 30 hours…thank god bands make good money and get to hang out with hot girls, they certainly earn it.

I’m looking at reels over lunch and see a commercial set in a car wash with all sorts of cool angles on water coming out of hoses and foam smearing everywhere. I want to rip up my shot-list and start again but have to remind myself that I’m selling five great faces and not a Japanese motor car!

The band is wrapped in time and when I get home the storm hits – torrential rain and the mother of all thunderstorms. I’m safe by the fire with a bowl of pasta but I bet those guys are stuck at LAX waiting for the storm to clear so they can race East to make that gig.

Filed Under: Diary 2000

WESTLIFE – Day One

March 3, 2000 by Nigel Dick

Videos are weird. I’m shooting a video for a band who I’ve met for maybe an hour the day before yesterday, and I can’t remember their names. I’ve had to write them down on a piece of paper along with their pictures, stick it to the front of my video cart, and hope no-one notices while I surreptitiously glance at the picture before barking out an order. Back in Britain this would be sacrilegious as Westlife have had 4 Number One hits in a row – must remember to get autographs for the godchildren.

The label wants something very “down to earth” – no fancy sets – so we’re shooting in a carwash in the valley owned by a friendly chap called Homer who takes great pride in his business. Everything is painted bright yellow and black, very graphic. Just the place to shoot the American dream: cute girls, chrome plated cars and young guys in T-shirts.

The crew keeps referring to the band as Englishmen which is very un-cool as two of them come from Dublin and three from Sligo i.e. they’re all Irish. Calling them English is like asking someone from Calgary what it feels like to be Texan. You may not have been reading the papers for the last 200 years but the Irish and the British are 2 very different cultures and nations and rather a lot of bullets and rhetoric have been spent trying to sort this out.

When we reach the last set-up of the day the guys sing in 5 part harmony – a glorious sound. They finish off with the Backstreet Boys “I Want It That Way”!

Filed Under: Diary 2000

STRI-DEX

February 26, 2000 by Nigel Dick

Commercials are different than any other kind of film-making. Prior to me getting this job there had been months and months and months of focus groups, ideas submitted, rejected, re-written, re-worked and then finally I get 12 hours to get it all in the can, weather permitting.

As a result of all this intense preparation a whole host of people descend on your shoot to make sure that you don’t deviate from the plan and do some cool stuff. It’s a brutal fact of film-making that virtually no director gets to do his own thing creatively without a bunch of people second-guessing his every move over at the monitor. When it goes well, and I think it did go well today, the “interference” is minimal and everyone can enjoy the day. At it’s worst I’ve been pulled away from the middle of a scene to be told by a producer that I wasn’t directing the scene right….and he was in his bed with his sleeping wife 30 miles away!

On a commercial you get to work with the agency producer, art director and writer. Our Producer (Victoria) is responsible for keeping her client’s requests satisfied. The Art Director (Craig) keeps watch on the visuals and the Writer (Chas) on the words. Typically the creatives are clever, funny, driven individuals and the team we’ve had today were just that. Craig is a keen cyclist like me and used to race Porsches, Chas is a huge music fan and I turned him on to Q magazine and he turned me on to Vic Chetsnutt. After the movie this was a fine way to get back into the commercial pell-mell.

And while I wondered through the halls of Grant High what did I find? Two 2gether stickers in a classroom! Oh my God – what have we unleashed on the world?

Filed Under: Diary 2000

TRL…

February 20, 2000 by Nigel Dick

“New York, just like I pictured it – skyscrapers and everythang!” There we were, me and Mr. Buss, dressed up in our best whistles standing in the lobby of the MTV building at 1515 Broadway looking at the fans outside waiting for us to ‘arrive.’ We smiled and wondered how come the fans could bear to be standing out in the cold so long, it’s not like they were being paid or anything. And then they were ready for us.

We were bundled out into the cold and in 2 seconds were sitting in the limo that was going to drive us to the Premiere. The walkie-talkie was buzzing “Where’s Serena? Which car is she in?” I was disappointed to hear she’d left already – GREAT. QT gets to meet Britney but do I get to hang with Serena? No chance. The walkie sparked again. “OK, we’re ready for Nigel and Alan…go, go, go!” The car started and we drove to the Premiere – exactly 20 feet! The doors opened, we climbed out and the fans were going nuts…I mean MENTAL. They didn’t have a clue who we were but Buss could have been Brad Pitt and I could have been Jennifer Lopez and they couldn’t have made more noise. The cameras were all over us, and there we both were up on the big screen across the street! A second or two later we were standing back in the lobby we’d left about three minutes ago laughing hysterically.

02-20

(Outside the MTV Building on the night of the Premiere)

Illusion? Yes, but such fun and it’ll look great on Monday night. I hope I don’t look too much like a Dick. I met Dave Holmes and was interviewed by someone I didn’t recognise who rubbed her hand up and down my back as we talked for the camera – very nice technique – it keeps you smiling the whole time. The guys were jumpy and nervous sneaking out for ciggies (Mickey) or chugging loads of water (Jerry). They all gave me a custom-made 2gether coat with their names embroidered inside as a memento of our weeks in Vancouver and I got dewy-eyed. Chad got into trouble for calling ‘Miss USA’ ‘Miss America’ (or was it the other way around) and she said nice things about a movie she’s not seen yet! Finally the guys performed “Before We Say Goodbye” twice (first time good vocals, second time good moves) and Calculus twice. They stressed over their vocals but did a fine job. And suddenly it was all over…

Friday afternoon brought another TRL appearance and plug for the movie. A nasty storm had blown in from the West and Times Square was full of snow and miserable pedestrians. Just a few months ago the guys asked me with wide open eyes if they’d ever get to visit MTV. Today was their third appearance in the TRL studio and they’re blasé already chatting with Carson like they were old friends. We looked down on the kids outside and saw five t-shirts with YOU on one shirt, + on the next, then ME, = and finally US. We laughed as they screamed at us from the cold and were convinced they were plants from the record company: sharp marketing move we all thought.

I slipped out of the building on my own and heard screams and the sound of running feet. I looked up to see 2gether were being mobbed for the first time! (Apart from in the movie of course). The kids outside broke through the barriers and gathered round the guys taking pictures and asking for autographs. I watched and beamed. I wish Bob Buss had been here to watch his protégés doing the right thing by their fans. And the 5 t-shirts? They were for real – 5 fans from Connecticut had them made up and were standing outside in the cold wind and sleet for 2 hours just to see the guys! O lordy…

Filed Under: 2gether

FIN…

February 13, 2000 by Nigel Dick

For reasons which are beyond explanation we started the final night of the mix on Friday night at 10.30 pm. I have just returned home with the mix (and therefore the movie) complete at 2.30 am on Sunday morning – 28 hours after we started! As I left the mixing stage in Burbank it all seemed too good to be true: I can finally take break till Monday morning when I start my next job, a commercial.

When I first started on the movie all we had was a script: an 11”x 8”x 1” package that weighed about two pounds. At its height the movie employed about 80 people, had around 300 extras on set and involved the daily movement of maybe 20 vehicles and tons of equipment. By tomorrow night, when it’s all assembled, the movie will be contained in a tape box a little narrower, deeper and longer than the original script but about the same weight. And that’s in a way what this has all been about – turning words into pictures, turning paper into video-tape. But what a wonderful experience it has been and I have completed a piece of work of which I am truthfully proud. I hope it makes you laugh…

Filed Under: 2gether

GUMP…

February 11, 2000 by Nigel Dick

We have three mixers on the show: Rick, Rick and (just so we don’t confuse him with the other two) Rich. Over the last two nights a dozen of us have been sitting in a large darkened room in Burbank as Rick, Rick & Rich have shuttled the tapes to and fro as they massaged the sound to aural perfection. Rick The Music mixed ‘The Wall’ tour and has worked with Alice, Bob Ezrin and other artists that also appear on my resumé. Rick The Dialogue has worked with Paula, Andrea and her late Dad. Rich (effects, backgrounds, foley) mixed Dead Connection for me and Jonathan over 7 years ago and still greets us with a happy face. As is the nature of our business we have discovered many things in common as we have toiled through till dawn making sure Buss’s charges sound at their best on their way down the Eastern Seaboard.

Our mixing stage is in the process of being re-modelled so the loos aren’t working. Every now and again one of us gets up and sidles outside to where two lonely portapotties stand in the gloom bathed in the late-night sodium. I pondered upon the ‘glamour’ of Hollywood last night as I returned to the stage and finally succumbed to the fatigue that raged like a fever through my bones. I lay down on the floor of the stage and slept like a dog for an hour while Jonathan covered for me. He is remarkably resilient and keeps his eye on every moment determined to make sure the picture is as good as it can be. I confess the process has ground me down and all I wish for is to see that master tape slipped inside its Fed-Ex envelope and shipped to New York.

Filed Under: 2gether

THE MIX…

February 10, 2000 by Nigel Dick

Unsung heroes of the set # 976: the sound crew. Paula (sound effects), Andrea (ADR), David (dialogue) John & Sienna (music editors) have squeezed three weeks of work into the last 10 days. It’s been their job to identify every sound cue in the movie and provide me with an abundance of aural options.

Making this film has been like running the Marathon. I started out full of enthusiasm in October pacing myself, ran the race I’d planned till Christmas and then found myself in difficulties and short of breath in January. About two weeks ago I hit the wall. Today we came through the tunnel and found ourselves in the stadium at last. The roar of the crowd is going to help us over these last few hundred metres but, though the finishing line is in sight, my legs are feeling wobbly and I just want to sit down right here…

Filed Under: 2gether

JERRY…

February 7, 2000 by Nigel Dick

What have we unleashed on the world? I’ve now found “The First Unofficial Evan Farmer Fan Site” It features such items as: “what makes Evan so hot” …”the art corner”…”evan greeting cards.” Buss was right. “They’re going to blow up like Chernobyl!” OK so he was talking about someone else but how long will it be before Pegasus gets its own web page?

Filed Under: 2gether

SEVEN…

February 7, 2000 by Nigel Dick

4am Monday morning (the 7th) and it’s been a weekend of dramas. 7 frames went missing from act 7 on Friday night, Jonathan and Celia (post production guru) found them on Saturday morning but there’s a question as to where they might be again tonight. In the scheme of things we’re talking 7/25 of a second in an 82 minute show which is an inaccuracy of (if my maths is correct at this time of night) 1 / 1,377th of the length of the show. It’s not much to be worried about but we fixate on such details at this stage.

A week from now…it will be a week from now and the movie will be complete, but tonight is the first time I’ve seen some of the scenes with music and sound effects – we’ve been doing the temp dub (a temporary mix of all the sounds) so we can send copies of the tape out tomorrow for the reviewers. There’s so much I’d like to re-shoot, look at again but I’m always like that at this stage – whingeing, whining and refining. The important thing is – the movie rocks. The characters are alive and people laugh when they watch it – they become involved. We’ll track down those seven missing frames and ignore the little blemishes that only a few of us will notice. By Friday night the die will be cast and the next step in the chain will be you, the most important person in the whole process, the viewer.

Filed Under: 2gether

FANS…THE WEB…

February 2, 2000 by Nigel Dick

I remember going to see a truly bad movie when I was a kid which was a ‘Raiders Of The Lost Arc’ kind of deal. You know the kind of thing – a bunch of ‘intelligent western historians’ travel to some far off land to plunder the burial mound of some ‘uncivilized native’ race and come back home dripping with diamonds and gold. It was all about greed basically. Anyway, in the middle of the film was a sequence which was supposed to represent an endless march across some huge Sahara-like desert. The film-makers created the impression of time passing by making the film go from night to day to night to day over and over in the same shot as the leads plodded across the rolling sands. Well this is what the post-production process has come to feel like for me on this project. My desert has become an endless chain of ADR sessions, edit bays, spotting sessions and transfer rooms. I am sleeping on the floor wherever possible and playing Johnny Guitar Watson as loud as I can in the car to keep myself awake as I drive from Burbank to Santa Monica in the darkness every night. It’s all become a bit of a grind…and then…as I’m waiting for the paint to dry in another darkened room I see a ray of light. I’m surfing the web and find that there is already an unofficial 2gether web-site!

This is a truly great moment for me, like the grizzled actor in his battered kahki shorts, with his water bottle virtually empty after his long trek across the desert, I have found something that reminds me of the joy I get from doing all this work – a fan. 2gether, just a few months back a figment of Mark, Brian and Maggie’s imaginations, are inspiring people. The band appeared on TRL yesterday with Carson and already people are talking. Tonight I got home and there was a copy of the 2gether CD on my doorstep! Maybe the journey across the wastes has been worth it after all.

Filed Under: 2gether

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