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You are here: Home / Archives for Nigel Dick

JOHN LENNON

December 8, 2005 by Nigel Dick

It was a cold morning as I climbed from bed in my tiny apartment less than a mile from Abbey Road Studios in London. As I shaved I turned on the radio and heard the news: John Lennon was dead. I banged on my flatmate’s door and woke him up. “They’ve killed my favourite Beatle.” I said.

Everyone at the office was in shock. Some of us cried. Some of us couldn’t concentrate and had to go home early. Everyone understood why.

In 1980 ‘showbiz news’ never, ever made it onto the BBC’s flagship 9 0’clock news programme. This was a 25 minute timeslot entirely devoted to political and current events of a world-changing sort. But that night Lennon’s murder was the lead story and the resonance of his demise was clearly evident on the faces of every reporter and pundit. This generation of news-men were no longer just graduates of the finest universities and press-rooms – they were the first generation to arrive in the halls of power all brought-up on The Beatles – and right then and there we were witnessing a huge change in attitudes towards the news. Pop-culture was no longer a subject buried deep in the Review section or glossy magazines – it was bloody, it was tragic, it was omnipresent and everyone felt personally moved. Older generations were shocked to realise what us ‘youngsters’ had always known – that the Beatles were extraordinary and had changed our lives; my Mother who despised modern music was shocked by the coverage and forced to admit she’d had no idea what a far-ranging influence the Fab Four had exerted.

A quarter of a century has passed and though I don’t care if I ever hear Cold Turkey again I believe that Imagine and Give Peace A Chance will never lose their power or their relevance. If anything they seem more pertinent now than ever before.

(Lennon died late evening in New York City and, because of the time difference, news of his death did not reach the UK till the early hours of December 9th.)

Filed Under: Diary 2005

ON BEING DICK

December 6, 2005 by Nigel Dick

A friend up the coast sent me an article today from the San Francisco Chronicle in which the writer discusses how hateful her life was growing up with the last name Dick. (The Name Game – by Kelly Valen December 4th). Obviously this caused me to ponder on my own Dickness and what it means to me.

My first memory of Dick being a problem for me or my family was as a child when my father would always try and explain to my mother why the Air Force was sending him on some horrendous posting to a far-off country which would keep him away from us for months on end. “Well,” he would explain, ” they start at the beginning of the alphabet and they look for a name that’s short and easy to remember and when they get to Dick there’s no need to go any further!” I was young enough to actually believe that this was how the miltary worked and my mother, whose name was Doris Dick, and probably had her own problems with the name, never said another word.

My second memory was the playground taunt, “Nigel Dick is a prick.” Which, while it defintely rhymes quite nicely, didn’t reveal the author to be someone who was going to move forward in life and keep future Poet Laureates up at night. By now we were into the sixties and despite them being apparently very swinging no-one to my knowledge used Dick as a slang term for men’s parts or as a description for someone who was a fool. All I knew was that it was obviously an odd and unusual name and was apparently Scottish and derived from Duncan. I even heard about a famous Scottish scrum-half whose name was Willie Dick which in today’s parlance would be akin to being called Penis Penis.

In 1964 I was sent away to boarding school. In Britain the theory is that boarding schools provide superior education, excellent sporting opportunities and turn boys into men. In reality they can be brutal prisons in which smaller, weaker children are tormented and bullied relentlessly for months at a time by larger nastier boys trying to show how macho they are. I was both smaller and weaker than my peers and certainly bullied a lot but strangley the Dick part was never an issue. My theory was that, with a name like Dick and in an environment where no-one ever used Christian names, why waste energy on giving someone a nickname when his name was already Dick?

In 1969 my father was posted to Germany for the third time and, on visits home from school, I would listen to German people laugh when we were introduced for, in German, we were essentially called the Thick Family.

By the seventies American culture was rampantly invading us all and gradually I understood that Dick meant both Penis and Idiot. But I was used to it all by now and thought nothing more of it until I got a gig at Stiff Records in 1977. Punk was in full swing and people were rechristening themselves with names like Johnny Rotten and Poly Styrene and the people I worked with had names like Rat Scabies, Wreckless Eric and Kosmo Vinyl. Dick was almost starting to be a cool moniker and for the first time, when being introduced to some hipster, I was asked what my real name was. Of course I blew it and told them it was my real name.

December ’78 saw me standing in line at JFK on my first trip to America waiting to go through customs and immigration. There were 40 of us all working on a rock n’roll tour with pierced ears, Lewis Leather jackets and tattered jeans. By the time the INS guy got to me and saw my last name in the passport he’d had enough. ” Dick? Dick! I don’t f***ing believe this he muttered,” stamped my passport, handed it back to me and closed down his lane. Those ten days in NYC and Akron blew my mind and with my ever increasing confidence I came home and soon afterwards signed my first business letter as being “FROM THE DICK AT NIGEL’S DESK.” It caused hilarity and mirth – but not as much consternation as when, having been promoted to do PR for the company, I made my first phone call to The Times reviews section. “Who’s calling?” the young female asked at the other end of the line. “Nigel Dick from Stiff Records,” I replied. “Piss Off!” she hissed and slammed the phone down.

The winds of culture had shifted and my name was actually starting to cause offense. This was fun. Wreckless Eric released a single called A Popsong. In one longer mix of the track he rapped about the members of staff in the runout: “Rachel Sweet goes tweet, tweet, tweet; Nigel Dick makes you sick.” I was very disappointed that this version was never officially released.

Some years earlier Johnny Cash’s “Boy Named Sue” had been a big hit and it suggested the theory that, by calling his son a girl’s name, the errant father of the tale had provided his offspring with years of character-building toughness without being in the picture – an early version of whatever doesn’t kill you makes you stronger. With the 8 long years of bullying still a recent memory and with Punk at it’s zenith I embraced my Dickness. In 1979 I sent out the first of my Christmas Cards with Dick themes. I made a double exposure of two of me in stupid poses with guitars and sunglasses trying to look like rock stars. The caption read: Happy Christmas from a couple of Real Dicks. Spot the Dick followed in 1980 and the year after, having seen a Richard Nixon campaign button in a history book, stole his slogan You Can’t Lick A Good Dick. Sadly my girlfriend at the time took this as a personal and very public comment on her grasp (or perhaps lack of it) of an unspoken sexual technique and we broke up before the Christmas decorations came down in January.

I carried on unperturbed and soon realised that I had found a brand for myself which seemed vaguely cool. Hell, Branson had gone mainstream with his Virgin so why couldn’t I have some fun with my Dick? People started sending me pictures of places they visited in foreign countries (Dick’s Bar, Dick’s Auto Repair etc) and then the T-shirts started arriving. I met people who’d seen my business card or Christmas Card pinned up on an office wall for years and had never met me. I’d unleashed a lovable and rather stupid monster. I came up with the one-liner that if I ever had a son I’d call him Donald. Very few people laughed but I thought it was hysterical. On one memorable night in Nice while shooting a Toto gig Jeff Porcaro stopped the show and exchanged his drumsticks for a T-shirt being worn by a sweaty punter in the front row. He proudly gave it to me as a gift. On the front it read DICK MUCUMBA.

And so 26 years after the first Dick Christmas card I’m looking at proofs for the latest edition. Truth be told it’s become a burden now. Around March I start stressing about what visual Dick-joke or pun I can pull together before October comes around and I need to start making the damn thing. But whatever I say now the die is certainly cast and on the gravestone they’ll only need to carve four letters preferably with an exclamation mark at the end. Or perhaps I should be a touch more cryptic and just have the caption: Rhymes With Prick.

Filed Under: Diary 2005

BIRDS

November 14, 2005 by Nigel Dick

George, Sorry to hear about today’s approval rating: down to a record low 37%. Yikes! Jolly glad to hear your PR chap say that he’s not paying attention to the numbers – a bit like the deficit eh?

Anyway I know that you don’t read magazines and stuff so I thought I’d just tell you that I’m a bit worried about this article I’m reading in Rolling Stone this week – it’s the one with the Billie-Joe guy from Green Day on the cover (the little chap with make-up who made the album called American Idiot – have we found out who he was referring to yet?) Anyhow the article I’m reading is all about global warming and has lots of useful quotes and info in it. Here’s some things we need to talk about the next time we hook up…

1) In the US (which is) 5% of the world’s population (we) manage to produce 20% of the planet’s CO2.

2) Defeat terrorism by freeing America from it’s dependency on foreign oil…America’s energy demand is financing terror. (This            quote from a former director of the CIA!)

3) The relationship between humankind and the earth has been utterly transformed…we have quadrupled the population of our             planet in the past hundred years…the power of the technologies at our disposal vastly magnifies the impact each individual can         have on the natural world.

4) The era of procrastination…is coming to a close. In its place we are entering a period of consequences.

5) We are entering the “Oh shit” era of global warming.

6) The Chinese…still only use about one-eigth as much energy as Americans.

You’re right George. Comments from a bunch of wishy washy pinko-liberals the lot of ’em. Except – you might want to have a word about all this with your pal Ahnold – he’s letting the side down. The Governator “signed an executive order (in June) requiring California – the world’s sixth largest economy – to slash its climate warming emissions by 80% by 2050.” This puts California ahead of Britain (which unlike the U.S. signed the Kyoto protocol) which is one of only 4 countries pledging a paltry 60% reduction by 2050.

You’re right again George. This is just another collection of bad science by a bunch of stupid scientists. But how do we explain away this one…?

“(The Inuit) recognized the threat global warming long before science confirmed their observations. (They noticed) robins and barn owls began showing up in the North’s frozen reaches, the Inuit had no names for them.”

(All quotes from Rolling Stone #987 – 11/17/05)

Filed Under: Diary 2005

ME AGAIN

October 4, 2005 by Nigel Dick

Dear George, I get stressed about the small crap like clearing stuff off my desk. I made another attempt today which will last until the postman arrives with a new bunch of unsolicited mail. Amongst the crap I found a note to check out some “Riveting soldier blogs.” And my veins turned to ice as I read this extract:

“There are battles which need to be fought and there are battles which serve no good purpose. Afghanistan and Bin Laden lay forgotten as if they were discarded toys left by a spoiled child. Iraq is the new frontier of poor foreign policy and poor planning. Even the soldiers can see it. Why do you think nobody is re-enlisting? They don’t want to keep leaving their families to go fight a loosing battle and to die for an empty promise. The promise that somehow staying in Iraq makes America safer.We have created a martyr factory here, and we are beginning to wade through the next Vietnam. How wrong do you want to be before you close down shop and send the troops home? 2,000 dead? Is that wrong enough? How about 10,000?”

Please Mr. Bush, Sir, Your Highness, please dismount from your comfortable cushion in your ivory tower for five short minutes and join us in the real world. This is what your soldiers are saying as they fight your purposeless war.

See more at http://www.misoldierthoughts.blogspot.com

Filed Under: Diary 2005

TSHIRT

September 22, 2005 by Nigel Dick

I was having my lunch at the diner and this old todger walks by wearing a T-shirt. The top bit said: “My aim in life is to live forever.”

Underneath there was another line of type which read: “So far, so good!”

That’s the spirit.

Filed Under: Diary 2005

DEAR GEORGE

September 13, 2005 by Nigel Dick

Just thought I’d check in and see how you’re doing as I know it’s been a tough couple of weeks for you. First that annoying woman whose son died camps outside your house while you’re on your holidays (bloody cheek!) and then that pesky hurricane arrives and screws with your approval rating.

As anyone will tell you I know Dick about politics but I’m so grateful that you’ve brought things down to my level at last. When I mentioned last week that you were going public about the slow response to the floods in New Orleans I predicted you were looking for a scapegoat. Result! Brownie (Head of FEMA) is now toast. Gadzooks – I saw it coming! Now the George ratings are plummeting you take the high ground and accept responsibilty because it seems like the right thing to do. Correct. It’s also the ONLY thing to do if you want to get out of this mess. Even I can see that. Well done George.

Does this mean that you will eventually apologize for all the environmental disasters you and your pals have been creating? (see this weeks Rolling Stone – the one with the Rolling Stones on the front cover – I think you’ll be able to find it). Gosh – I do hope so. Actually, ignore this one George, it doesn’t much matter because when crunch time comes you and I will be long forgotten. And I don’t have kids so I could care less. You do? Woops. Oh heck – who cares right?

By the way – Bad Science! You are a freaking genius George. You have testicles the size of a dinosaur – I would never have had the nerve to go public with that one and tell all those technical geniuses where to get off.

Which brings us to that conflict thingy in the Middle East. Doesn’t it just bug you the way people keep calling it a war? I’m so impressed with the way you ignored all those poncey peacenicks (millions of ’em) and the way you and Don ignored those Generally people and went in with the low-impact troop deployment. Granted it’s a bit of a shame that the lads in Iraq haven’t played ball and have made the Generally people look actually rather smart. That just sucks doesn’t it? Chances are you’re going to have to apologize for all that somewhere down the line too.

Oh, yeah, right. I forgot the postcard. You’re not going to stoop that low. Like I said I know Dick about politics.

P.S. I saw you on TV in New Orleans near the flooded bits. I know you don’t read much so I just thought I’d let you know that you should get some shots – we’d all hate it if you got ill.

Filed Under: Diary 2005

BATH

September 12, 2005 by Nigel Dick

I had an e-mail over the weekend from a journalist in England who’s writing something about people who studied at Bath University. Give me 300 words he said. I don’t know if this is 300 words but, for the record, here’s my version of my time at University. With apologies to Nick, Vaughan and Ian who didn’t get a mention but should have…

It wasn’t till the end of my first week at Bath I realised what a terrible mistake I’d made. I’d just spent 8 years in a single-sex boarding school and discovered I’d signed up for a six year course at a University where 80% of the student body was male and had wrapped itself in an anorak. Determined to put a brave face on it all I signed up for the hockey team and was picked for the 3rd XI. The practices were notable for the lack of attendance and at our first match I was asked to play for the opposing team as only 9 of their players had shown up. I got the message loud and clear and quit.

As I was studying Architecture I needed a drawing board and didn’t have one (or any funds) so I decided to ‘borrow’ one from the school and smuggle it up to my room in the halls of residence. Late one evening, and helped by some fellow smugglers, my luck changed. The security man arrived with his scowl and his large torch as we were in the middle of our illicit borrowing…and held the door open for us while we spirited the vital equipment into the night.

At the end of the first year I received an awful phone-call: one of my best friends from school had committed suicide. The terrible news coincided with my birthday and the release of Pink Floyd’s Dark Side Of The Moon. From room 715 I looked over the campus and the city in the fading light and played Great Gig In The Sky at blistering levels over and over while the people complained next door and the tears rolled endlessly down my face.

The gigs were frankly disappointing (John Martyn – stoned and abusive onstage, the Camel ‘Snow Goose’ tour) but Thursday nights were amazing. In the main student room there was one TV and about 700 of us would squeeze ourselves in there for a night of wonderful TV: Top Of The Pops, Monty Python and Colditz. By far and away my best memory of the place.

In the holidays I stayed in my flat on Rivers Street and worked on construction sites in town and helped build a shopping precinct down by the railway station as a scaffold erector’s mate. I visited Bristol and saw Steely Dan and Bowie’s Ziggy Stardust tour at the Colston Hall little knowing that the keyboard player would later play in my own band. One Christmas I worked in a hotel as a bell boy and spent two weeks helping the Hotel Manager hide his affair with the waitress from his wife, the Hotel Manageress, as if my job depended on it – which it did.

I needed money so I started Tiny’s Disco (what a terrible name!) and played gigs all over town for a pittance playing Golden Earring’s Radar Love and Sweet’s Ballroom Blitz back to back because they had the same drum riff. It was another ploy to meet girls and it failed miserably though I certainly watched a lot of other guys hooking up to my music.

And then after four years I left and never earnt a penny as an Architect.

It wasn’t till much later that I missed the cold and soggy mornings walking across Pulteney Bridge in a hurry trying to get a bus up the hill or the wonderful summer I spent working as a waiter in town where I got to wait on Princess Margaret, Roddy Llewelyn and John Phillips from the Mamas & The Papas while wearing silver shoes and overalls. They were all very stoned and gave me a ten pound tip which I spent on a Led Zeppelin album.

One day my destiny discovered me and I became a video director. The first big act I worked with was Tears For Fears for whom Bath was, of course, their home town – and at last it all seemed to make sense. However I suspect that deep down inside they detested me for being a student – one of those penniless people who trudged home through the dark night after the last bus and defiled the peace of their beautiful city.

Filed Under: Diary 2005

EPITAPH

September 2, 2005 by Nigel Dick

President George Bush stepped out onto the White House lawn today to issue his thoughts regarding the response to the disaster unfolding in the South 5 days after Hurricane Katrina. “The results are not acceptable,” said Bush.

George Bush is the Commander In Chief – for him to say the response is unacceptable sounds like the spin of a desperate man hunting for a scapegoat. Surely this man must know deep down that he has sat on his haunches all week and watched idly as the disaster unfolded when, as early as Monday, he should have been flying back to Washington from his holiday to organize a solution. He’s the man at the top – he’s responsible.

Watching from Los Angeles it was easy to see on Monday that troops, food water and medical supplies needed to be sent to the crisis areas pronto. Let’s face it there was no major logistical hurdles to overcome – no oceans to cross, no mountains to circumvent – all you had to do was get on the freeway – and there are gas stations and signposts the whole way. How much easier could it have been?

Even though we fear that money needed for public works has been siphoned off for the war in Iraq and that the eyes of the generals are pointed to the middle east surely this country is not so off-balance that it could take 5 days for help to make it the 300 miles from Houston to New Orleans?

Shame on you Bush and your cronies. This terrible week will be your epitaph.

Filed Under: Diary 2005

CHINA

July 1, 2005 by Nigel Dick

A small piece of frightening info in June 27th issue of Time.

“By itself, Wal-Mart is China’s sixth largest export market – just behind Germany…”

Blimey.

Filed Under: Diary 2005

Do They Know It’s Christmas?

April 15, 2005 by Nigel Dick

* * *

It was Tuesday November 21st 1984 and I was giving my girlfriend 50 pounds so she could go to Amsterdam for the weekend. She wanted to make the trip with a friend and it was abundantly clear I was not invited. I was pissed off; what was I going to do while she was away?

That night the BBC News included an item from Ethiopia – I didn’t see it but Bob Geldof did. The report described rampant famine sweeping across an entire country just a few thousand miles away. The footage purposefully played on the emotions and showed children with distended bellies held in the arms of weakened and distraught mothers – in the background there were masses of people dying from neglect and starvation and no-one seemed to care. It seemed as if the reporter, so affected by what he saw, was daring the world to come up with an answer to this frightening and enormous problem. I’m sure that as he filed his story he never imagined that the saviour that would answer his call would be a shabby, charming, loud-mouthed, opinionated, lead singer for a fading Irish punk band.

The Boomtown Rats had been, for a brief moment, the Beatles and the Oasis of their day. They’d had number one hits and they?d reaped all the benefits that popular bands do: they’d had the babes and the limos and the bucks but now their career was in the dumper. Bob the Gob was the most outspoken front man of his time and the journalists and the public had lapped up his bon-mots. He snickered and joked his way up the charts, had married the infamous blonde Paula Yates and had even starred in a movie directed by Alan Parker. But he’d become a sort of cartoon character, had called his daughter a silly name which made the press guffaw and, now the hits weren?t coming, the public was turning its back on him.

I worked at Phonogram Records and we couldn’t turn our back because Bob and the Rats were on our label and they had a new album about to be released. It was to be called In The Long Grass and it was supposed to be their comeback record. If the band had a manager I don’t remember who because it was Bob who was calling the shots. Like all good managers Bob was on the rampage at the label pushing us to get everything in line for the album’s release. There was a video to be made (my department), a tour to be booked and press and TV appearances to be scheduled. Because the Rats were felt to be yesterday’s news it was all an uphill struggle but if anyone could do it Bob could. He even persuaded his wife, presenter on the hottest TV show The Tube, to get the band on TV. Everyone knew it was hypocritical and nepotistic but somehow it’s very un-cred-ness was cool because Bob and Paula were larger than life and married. And then he decided to take the evening off and watch TV.

Our offices were on Bond Street and at lunchtime I would go down the street to the news kiosk, purchase the Evening Standard, and slip into a little alleyway behind Sotheby’s to eat a plate of grease and chips at the Sintra cafe while I attempted the quick crossword. After lunch on this particular Wednesday I returned to work and was called into my boss Tony Powell’s office. As I recall Bob was there with Tony and the head of our company Brian Shepherd. It appeared that Bob had just successfully completed the first of many passionate pleas that were to change the world. Tony explained the plan quite simply, “Bob saw this news broadcast about Ethiopia last night where thousands and thousands are dying from famine. He?s going to make a record at the weekend, you’re going to make the video, the record will be available by next Friday and we’re going to try and get it to number one for Christmas. All proceeds will go to towards famine relief.”

It all seemed so simple: problem, decision, result, solution.

Bob must have had quite a morning. He had decided to make a record for a song he’d not yet written and convince his label, a staid German / Dutch multinational no less, to release it for no profit as a priority above all other releases to pursue the holy grail of British single releases – a Christmas Number One. In addition he’d also found the time to ring Robert Maxwell, notorious publisher and owner of the Daily Mirror (a large circulation British daily paper), to persuade him to guarantee the entire front page of the paper on Monday morning – a double page spread inside was also promised. It was now the middle of Wednesday afternoon as Bob sat in my office and explained the timetable once again. The backing tracks would be recorded on Saturday at Midge Ure’s house, the overdubs would be done on Sunday with loads of stars which is where I would shoot the video and by the following Thursday (just 8 days away) the video would be shown on Top Of The Pops and thousands of copies of the record would be available in every record store in the country ready for the buying frenzy that would start on Friday morning.

He didn’t have a band, or anyone to sing the song he hadn’t written. I didn’t have a film crew and I wouldn’t have a budget for the video that the BBC did not yet know they would be playing. There was work to be done. I had a spare phone in my office and Bob used it to start what would become the most selfless, persuasive, determined and remarkable phone-sales campaign that I will ever witness. From the phone at my side he would call Presidents of labels and Presidents of countries and would blag anything he could for free including, eventually, the use of the Suez Canal.

* * *

Bob was a tall man who seemed perpetually unshaven and sported an unruly case of bed-head that had remained out of control for years. He would wear a wrinkled linen suit with embroidered red velvet carpet slippers. He would pull his fingers through his hair trying to force it behind his ears as he lazered holes in your face with his piercing eyes. He’d quote facts faster than you could absorb them and say “fock” every three words and “shite” every five. He was earnest, passionate, sincere, conniving, funny and determined. He was the most alpha of alpha-males I’ve ever met and he was like a dog with a bone. And as you were becoming rather too impressed by him he would laugh his ridiculous laugh from the back of his throat with quick and repeated intakes of breath that completely deprived him of his dignity. As a singer he had limited skills, as a front-man he was supreme. Bob could be a pain in the arse but he was also lovable – he was the perfect man for the job he’d just invented for himself.

As the weekend rushed upon us all other work became secondary. I met Michael Kuhn, then head of PMV (Polygram Music Video). He told me that PMV would give me 10,000 pounds to cover anything I couldn?t get for free but he hoped that I would use as little of the money as possible. In the event the only people who refused to donate their goods or services completely free were Kodak who were supplying the film stock. When Bob found out he was furious and subsequently berated Kodak in public for being so miserly. Typically his anger paid off – Kodak would became one of the major sponsors for Live Aid.

In the dying days of 1984 charity fund-raising records were an occasional novelty. Everyone had heard of Concert for Bangla Desh and No Nukes but few people in London had been asked to donate their goods or services. I found it easy to round up a crew of cameramen and assistants willing to work for free for a day. My friend Dave Bridges would be the DP (Director of Photography) and his company Tattooist would supply all the camera bodies and lenses. Visions, my favourite post house, threw in everything without question and, apart from Kodak, I managed to put together the entire shoot without spending a penny. It was really quite easy.

Bob had more to do and he seemed to be finding the going harder. Midge Ure, one time Ultravox singer and Thin Lizzy gun for hire, and Bob had now written the song and had come up with Band Aid as a name for the project but who was going to sing it? Bob was overwhelmed with maybes and if I cans but the definite yesses were fewer and farther between. Another concern was that none of the black artists Bob approached were interested in participating. He didn’t want to send a message that this was a bunch of overpaid white kids telling the world what to do – he wanted the message to be more universal.

In addition to rounding up the talent Bob had also taken control of the PR bandwagon that he needed to give the project the necessary muscle. On Thursday he rang Malcolm Gerrie, the producer of the Tube, from my office. Malcolm is a hard-headed TV guy who?s recently hit the headlines for being the guy Russell Crowe tried to beat up at this years BAFTA awards. As Bob’s wife Paula was a presenter on the Tube Bob knew Malcolm well but also knew that Malcolm was against the planned Boomtown Rats appearance that his wife had blagged for him on the show. Any negotiation for Band Aid would therefore need to be delicate.

Bob started out his conversation with Malcolm politely telling him about the project and asking him to send a crew to do a story on the recording on Sunday. Malcolm was interested but needed to know who else would be there. Bob: “The BBC, ITV (news), CBS, ABC, NBC, Reuters, The Times, The Mirror, The Sun, The Old Grey Whistle Test…” The Old Grey Whistle Test was the granddaddy of BBC rock shows. Malcolm?s show, The Tube, was the hip, independent, mischievous antedote to OGWT and was on the enemy station. To ask The Tube and OGWT to cover the same event was like asking Leno and Letterman to have their picture taken together. Malcolm balked, “If OGWT are covering it then the Tube won’t, it’s us or them.” “Look Malcolm,” Bob replied, “This is bigger than petty focking jealousies between rock shows, this is about life and death.” I could tell Bob was getting upset and things were going to get ugly. Malcolm held his ground, “You know how it is Bob, if they cover it we can’t. Of course we’re interested, of course we’d like to help, this is a great thing you’re doing but you’ll just have to choose.” For the first time I watched Bob manipulate and gamble with all the chips for the greater good: “Listen Malcolm, Robert focking Maxwell has guaranteed Band Aid the front page of the Mirror on Monday morning and he?s also promised me a focking double page spread on the inside. On the left hand page will be a list of all those people who’ve helped. On the right hand page will be a list of all those who haven’t. So far you?re the only focking name on the right hand page!”

Bob slammed down the phone and leant back in his chair. I was like, “Jeez, Bob do you think that was such a good idea?” Bob shrugged his shoulders as my phone rang again. “It’s Malcolm Gerrie from the Tube. I need to speak to Geldof.” Bob grabbed the phone and grunted, “Yes….. OK….. deal…. absolutely. See you Sunday then.” At the risk of alienating the only producer who would put the Rats on TV Bob had staked it all to get the blanket coverage he demanded. The agreement Bob made with the Tube was that for the first time ever The Tube and OGWT would cover the same event but when Bob subsequently went to deliver the aid to Ethiopia Gerrie and crew would be the only team to go with him. Two birds, one stone.

* * *

On Saturday afternoon I found myself knocking at the door of an elegant house in Kensington. Soon I was ushered through the house towards the studio that Midge Ure had built for himself at the bottom of the garden. So this was what pop-stars did with their cash I thought. Sting was there and Paul Weller too and the track was taking shape rather nicely. There was nothing for me to do and I was in awe of the assembled quartet so I soon slipped away wondering what the following day would bring.

Sunday morning was clear and sunny as I arrived outside Basing Street Studios. As a young rock fan I had pored over album sleeves and this rather ugly building was the Holy of Holies where many of my favourite albums had been recorded. Now I was being welcomed inside by Trevor Horn who now owned the studio. In London we had just passed through the summer of Frankie Says and Trevor was the guy to have behind the desk if you were making a record – I was excited, it seemed I had passed some mysterious exam and had been allowed to participate in something at which many of my heroes might be present.

But what would happen if we were throwing a party and nobody came?

Once again this was all Bob?s responsibility and he must have been worried. Pop stars are not amongst the most dependable of folk and who but the most optimistic and foolish of betting men would bargain on getting a bunch of poncy pop stars out of bed to work for free on a Sunday morning? The tape was ready, the floor of the studio had been cleared, the press were congregating outside and I had my three cameramen, their three assistants and a sound recordist and my long suffering assistant Sarah inside…all we needed was some talent.

Bob had primed his charges well. We got the call that Bananarama were approaching and we dashed outside to get it on film. The initial dribble became a torrent as star after star turned up at the door – even more remarkable many arrived alone without managers, minders or other halves. The morning?s arrivals included Paul Young, Bono, Sting, Paul Weller, Steve Hedley and the Kemp Brothers from Spandau Ballet, Simon Le Bon, Nick Rhodes, Andy Taylor and John Taylor from Duran Duran, Francis Rossi and Rick Parfitt from Status Quo, George Michael, John Moss from Culture Club, Marilyn, Martyn Ware and Glenn Gregory from Heaven 17 and of course the Rats: Johnny Fingers, Pete Briquette and Simon Crowe. And most importantly Bob had broken the white barrier that he feared would tarnish the project – everyone in Kool and The Gang showed up along with the gorgeous Jody Watley. In his newly printed Feed The World T-shirt Bob was smiling – the first major hurdle had been cleared.

Everyone collected in the studio and stood in a makeshift crescent in front of the mics as Trevor started teaching everyone the chorus: “Feed The World, let them know it?s Christmas Time again…” Within a short time the tapes were rolling and work was progressing. With the chorus laid down we allowed the press in to take pictures. I remember counting an incredible 72 reporters, photographers, cameramen and sound recordists pressing forward to get the tape, the picture, the close-up they all needed. We tried to hold them back as the tapes rolled and the chorus mimed but it was useless – everyone pressed forward trying to get a clear shot. I remember the Bananaramas looking rather worried as the snappers and shooters got within about two feet of them. I marked a line on the floor and shouted for silence. “Step over this line and I?ll throw you out!” I yelled at the representatives of some of the world?s greatest news organizations. “Ooooh!” murmured all the stars, giggling at my rather stupid head-schoolboy-like threat. It was of course useless and once again the press corps pushed forward until no-one could get a clear shot. Eventually Sarah and I raced across the street to a building site and stole a 20 foot plank. We held it in front of the journos who banged off their pics and were soon gone.

Less than 90 minutes later we were all sandwiched into the TV room downstairs. The lunchtime news on ITV featured the singalong and the story of Bob and Midge?s effort as one of it?s lead stories. There we all were on TV already and somehow it validated everything we were doing – if it?s on TV it must be happening.

As it was lunchtime, stomachs were rumbling and one hapless pop-star put our thoughts into words: “Is there any food, Bob?”

There was a sudden silence as a cloud passed across Bob?s face. We all stared at the hungry singer who suddenly looked like the idiot from those Bateman cartoons in old Punch magazines. “You?re a focking millionaire and you want free food? There?s a focking chip shop on the corner, buy your own lunch.” The joy we?d all shared at hearing the voices sing that memorable chorus for the first time evaporated as we remembered why we were all here. The point was well made and we returned to work.

Now began the job of laying down the individual vocals and our first victim was Paul Young. The one time front man for the Q-Tips leant into the mic: “It?s Christmas time, and there?s no need to be afraid…” Midge suggested another way to sing the lines. Paul tried it again. Bob suggested another approach, Paul tried it Bob?s way. As I stooped with a camera at Paul?s feet I heard Midge?s voice over the talk-back: “One singer, one song. Just do it the way you feel is best,” and the formula for the day?s work was reached.

The modern recording studio is a magical place – it allows you to make the ordinary sound wonderful. Conversely so many effects and techniques are applied to voices in the modern recording process that you lose sight of who can really sing and who?s bluffing. Sitting there with the camera just feet from the singers who came in I heard all their voices unadorned for the first time. Paul Young?s voice sounded strong, soulful and clear, just as you?d expect; Sting?s voice seemed strangely out of tune on it?s own but then incredibly right in context; Bono?s voice was like a wild emotional howl, unique and distinctive; George Michael amazed me with his control and quiet professional approach; Simon LeBon was unfortunately unmasked in such company as just a handsome front man.

We?d been told that Boy George would be arriving in the afternoon – he was flying in especially from New York on Concorde just to sing his two lines. For some reason there was doubt that he?d make it but suddenly he was there asking for a brandy to help his sore throat. His voice was a stupendous surprise and I vowed to go home that night and check out my Culture Club records with a fresh perspective.

Most of the artists who stayed on for the afternoon?s festivities were of a certain age – most of them had enjoyed time in the charts during the past few years. And as one they all expressed interest in waiting for the arrival of one man who was scheduled to be the only musician to play that day – the only person who been making records for years: Phil Collins. I?d known Jon Moss, Culture Club?s drummer for years, and asked why he was hanging around so long in the afternoon. “Phil Collins is coming. I can?t go until I see Phil play.”

With the lead vocals complete Phil?s kit was set up in front of the control booth and he came inside to listen to the track. As is often the case heads dutifully bobbed as everyone grooved (or pretended to). Terse musical comments were made to establish a kind of rapport / pecking order. Phil was all business, no smiles, settled down at his kit and the tape and the cameras rolled.

There?s much talk nowadays about “Living In The Moment.” Back in 1984 I?d never heard such talk yet for the first time in my life I can remember doing just that. “This is an incredible moment I?m witnessing,” I thought. “Something this remarkable may never happen to me ever again. This is my ?Woodstock moment? – remember how it feels.” I was sitting just inches from Phil Collins kit as he banged away in only the way that he can. As my cameraman circled his kit Malcolm Gerrie?s crew circled on the other side. There they are in the video – true to their word they?d showed up and they?d decided to do a special on the Band Aid recording thereby trumping their rivals at the Beeb.

* * *

We wrapped at eleven p.m. and Dave Bridges left for the Mirror printing plant to shoot the front page story coming off the presses that opens the video. All the footage we?d shot was processed overnight and on Monday morning we started transferring all the dailies to tape. That evening I sat down with my editor, Dave Gardener, to start on the cut. During the night Bob came by with the mixes of the track and I wept as I heard his final message on the B-side. In keeping with that emotion I included a similar message at the end of the video. We finished the cut by breakfast on Tuesday morning and as the boxes were being labeled I stumbled into the dawn and hailed a cab to take me home to bed – it was less than a week since Bob had seen that first broadcast from Africa.

At 7pm on Thursday evening, five minutes before the broadcast of Top Of The Pops, the Beeb interrupted their normal programming and David Bowie appeared on the screen and introduced our video – I was stunned. Pride got the better of me – this wasn?t about saving lives – this was about Bowie watching my work!

Victor Hugo famously wrote: “There?s nothing as powerful as an idea whose time has come” and certainly Bob had touched a nerve. The record raced to number one and stayed there for weeks becoming, at the time, the largest selling single in British history ultimately raising 12 million pounds. Before long everyone was getting in on the act and every country with a recording studio and a star was recording it?s own famine relief disc. Bob was asked to fly to LA to attend the recording of USA for Africa. He returned with a scowl on his face and told me that the session was well organised with backstage passes and the like but he was distressed by the celebrity grand-standing and the huge tables full of elegantly catered food available for the stars and their entourages which he felt was not in keeping with the spirit of the cause.

Bob?s life was changing before our eyes. The Rats were touring and passing buckets into the audience at gigs to collect yet more cash for the Band Aid fund but Bob?s passion and vision for his cause was turning him from a scruffy celebrity into a powerful spokesman who told the truth. As the Rats career slid inexorably into the dumper Bob flew to Africa to check out the problems first hand. On his return Bob addressed the EEC in Brussels and the news cameras caught him as he left the meeting still dressed in his velvet carpet slippers. Maggie Thatcher was close by and her spin dox were obviously eager to have the Premier seen shaking hands with the new darling of international politics. What they hadn?t bargained for was a well-briefed, intelligent young man with a bug up his arse about the way Britain and Europe were idly sitting by watching millions die on the other side of the Med. “Mr. Geldof, we?re all so terribly proud of what you?re doing!” she said smiling that sickly, condescending Thatcher smile but Bob wouldn?t let go her hand go. “What are we going to do about the butter mountain?” he inquired. “With your permission I could have all the butter stored in Europe made into biscuits and shipped to Africa within days.” Thatcher?s smile was slipping: “It?s not quite that simple you know Mr. Geldof and I don?t think this is the time or the place for this do you?” “Why not? People are dying as we speak!” I suppose people talk to Prime Ministers like that all the time – but you don?t see it on TV. Bob was doing whatever it took to achieve what he wanted and he didn?t care who got in his way – his view was no-one had voted him in so there was nothing to lose, he could say what he liked.

As the cash rolled in Bob had found an aid organisation, based in London, to help him get the money directly to where it needed to go. He avoided the usual agencies like Oxfam and was soon purchasing trucks to drive the supplies from the docks right to the heart of the famine. The trucks were then left in the area to assist in creating local work. Bridges were built, wells were dug. For the first time I heard the saying: Give a man a fish and he?ll eat for a day, teach a man to fish and he?ll eat for a lifetime. That was what Bob was trying to achieve. By the following Christmas, when the Band Aid record was released again, I was asked by Bob to do a new cut of the video using footage shot in Africa of the supplies being delivered – over the top of the pictures I laid captions detailing the impressive list of accomplishments that the Band Aid money had brought to fruition.

* * *

Sometime in the spring Bob had another brainwave. He was going to promote a concert that would take place simultaneously on both sides of the Atlantic with a huge array of stars. TV stations would pay hand over fist for the rights, dial-in pledge lines would be set up and, again, all the profits would go into the Band Aid pot. The concert would be called Live Aid.

Once again everyone was frightened to commit. It was the summer of Springsteen?s massive Born In The USA jaunt through Europe and it appeared that everyone who Bob asked to appear on Live Aid replied, “If Bruce is doing it then I will too.” The months on the road had worn Bruce down and he too turned Bob down but, realising he was the catalyst who could start the ball rolling, made a deal with Bob. Bob could tell everyone that Bruce was going to appear to make them commit. Quietly, sometime before the big day, Bruce?s name would be withdrawn from the list of acts and no-one would say a word. In addition Bruce, who would play Wembley the week before Live Aid, would leave his massive rig and staging up in the Wembley Arena for Bob to use at no charge.

By now Band Aid had its own office and Bob would use the phone in my office less frequently but one day he called President Mubarek of Egypt from my desk and secured the use of the Suez Canal for free in order to get some food through to the famine without having to pay the stiff canal duties. Bob was calm, persuasive, relaxed and got what he wanted – it was as if he was asking the local constable to help out with the school fete.

On another occasion Bob was trying to secure Hall and Oates for the Live Aid gig. They were hot stuff in that summer of ?85 and their manager refused to let his boys appear for free….unless of course they could headline. Bob agreed instantly and smiled. The manager smelt a rat (!) and asked why Bob was so eager to grant what must have been the spot everyone was asking for. Bob replied: “I?ve been looking for weeks for the band stupid enough to want go on after the reformation of Led Zeppelin, after Mick Jagger and Tina Turner, after Queen after Bob Dylan….!”

* * *

By now my girlfriend and I had broken up but we still went together to see Bruce?s gig at Wembley. He played for hours and we shouted ourselves hoarse. I was too shagged out to go back to Wembley again 6 days later and decided to watch the show on TV. Dave Hepworth expertly guided the British end of things through as we cut from the US stage to the UK stage and back. Things seemed to be going quite smoothly and the music was great. As Dave made another announcement Bob burst into the control room and ripped the mic from Dave?s hands. I could tell one of his infamous tirades was coming. “Listen to me you lot. Ireland, which is one of the poorest countries in Europe, has pledged over 5 million pounds so far today and you fuckers here in England who are far richer, have only pledged two million. Get off your arses, get on the phone and give me your money….NOW!” Bob pushed the mic back into Dave?s hand and left the room. The pledge-lines lit up like fireworks.

I haven?t seen Bob for years. At times I found him to be a difficult, stubborn man who was opinionated and loud. However I doubt I will ever meet a person for whom I could have more respect. His determination was astonishing and his selflessness was so blind it destroyed the career of his band. He was quite honest about wanting to get out of the Band Aid industry and, as recent events have shown, his capacity for forgiveness and compassion is beyond description. Saint Bob? Sir Bob? Just Bob? I don?t know but I was glad in that November of 1984 I had a weekend with nothing to do.

* * *

(N.B. These are the events as I remember them now over 20 years later – please forgive me if the numbers and the details are a little rubbery. If you?ve got some more accurate information you know where to send it!)

Filed Under: Band Aid

DUCK

April 8, 2005 by Nigel Dick

The world is crashing down around our ears. The signs are everywhere – pontiffs are dying; people with mental problems, agendas and unlimited supplies of bullets are going on killing sprees; every Escalade has a one-armed driver with a cell phone, a steaming hot latte and a meeting to rush to and now this…

A duck is sitting on its eggs outside the white house. A security detail has been assigned to look after “Duck Cheney” and a sign has been put up to ask tourists, onlookers and well-wishers not to disturb the poor bird.

The sign says QUITE PLEASE. Once again. The sign says QUITE please.

No wonder the country is going to the dogs. We have a President who can’t string a sentence together and a government that can’t spell QUIET.

Filed Under: Diary 2005

LAZY BONES

April 4, 2005 by Nigel Dick

So I’ve been deceiving you all. As well as this blog for the movie there’s also an identical one at the proper movie web-site which is www.callbackthemovie.com (direct link to the blog is www.callbackthemovie.com/blog/ ). In the interests of time and space the blog will continue there. See you in a second…

THE MAKING OF

Filed Under: Callback

LAZY BONES

April 4, 2005 by Nigel Dick

So I’ve been deceiving you all. As well as this blog for the movie there’s also an identical one at the proper movie web-site which is www.callbackthemovie.com (direct link to the blog is www.callbackthemovie.com/blog/ ). In the interests of time and space the blog will continue there. See you in a second…

Filed Under: Diary 2005

DYING

March 31, 2005 by Nigel Dick

So the Schiavo/Schindler fight to end/prolong Terri Schiavo’s life is finally over and it all feels as if there’s been no real victory for anyone. Seeing as you ask I have three things to say…

1) Though I disagree with their beliefs and though I feel justice, both moral and legal, was finally served, I admire the Schindlers for trying so hard to keep their daughter alive.

2) I applaud Michael Schiavo for sticking by his guns for fifteen years. The dignity with which he has quietly gone about his business is remarkable. A lesser man may have just walked away but he stuck by his promise to his wife.

3) I want the world to know that If I should ever become brain dead (and no, making videos for hair-metal bands in the 80’s and watching every episode of Mythbusters does NOT mean I’m brain dead) I want the plug pulled right away. But don’t starve me to death – please give me a bottle of Corona, a box of Rasinettes and then slam me with the big morphine shot so I can go with a big smile on my face.

I’ve watched someone die and held their hand as they slipped away. It’s an extra-ordinary, life-changing experience to observe. Though we live constantly in denial of it, sooner or later we will all pass along that road. Let’s hope that you and me can do it more quietly and without people fighting on the street outside.

P.S. I promise my next blog will be more up-beat…they’ve all been a bit dismal this year haven’t they?

Filed Under: Diary 2005

BIRTHDAY BLUES

March 21, 2005 by Nigel Dick

It’s my birthday but I’m sad this evening. 10 people are dead and 13 wounded after an un-named young man stole his Grandfather’s pistol, killed his grandparents and then went to school killing a teacher, a security officer and other students before ending his own life.

OK so we’ll probably never get the NRA and their pals in the Republican party to ban guns entirely but consider this: To obtain a fire-arm in Britain you have to make an application for a firearms licence to the Home Office Firearms Section. Amongst the three strict criteria to get a licence you must prove “you are a fit and proper person of good character suitable to be entrusted with prohibited weapons/ammunition.” As I recall this involves getting letters of good character from your local Justice Of The Peace, Judge or the like.

In addition once you pass the “he’s a decent sort of chap” test all guns must be locked up in a gun case or safe that must be bolted to a structural wall – the Home Office pamphlet regarding these cabinets even goes into great detail about the thickness of steel used to make such cabinets and how the hinges should be built. Also guns need to be locked up separately from ammunition.

I wonder if these simple rules applied here in the USA, rules that need not interfere with “the right to bear arms,” whether those ten people in Minnesota would all be alive tonight.

Check out http://www.homeoffice.gov.uk/docs3/firearms2.html

Filed Under: Diary 2005

DEAR SCOTTIE

March 12, 2005 by Nigel Dick

I just heard that yesterday you were with us and today you are not. I’m in shock. You had a heart as big as the city of LA and the damn thing went and let you down. Thank-you for all the hard work; thank-you for all the great people you brought in; thank-you for all the cussing and face-scrunching and thank-you for posting that really daft picture of me on your web-site. Most of all thank-you for being you and caring.

You promised me you were going to get me some hot babes for Callback so I’ll have to find another way now – but that’s not the point. Point is you were prepared to do it without a thought. Thank-you for being so generous.

I guess you’re scoping out the angels now. Let me know how it goes. R.I.P. Scottie Lazarus.

Filed Under: Diary 2005

DOWNFALL

March 8, 2005 by Nigel Dick

I saw Downfall last night and it brought up many issues for me both personal and historical. I’ve discussed my feelings about the war and growing up in Germany at length elsewhere so let’s move right along to history and topicality.

This film describes Hitler’s last 12 days as seen through the eyes of Traudl Junge his personal secretary and it re-examines many of the issues discussed in Anthony Beevor’s book ‘Berlin: The Downfall 1945’ which we’ll get to shortly. The film, which is excellent, has attracted much comment for depicting Hitler as a human being rather than a manifestation of pure evil. Let’s be clear: the man was a human being and he was surrounded by other human beings who did his bidding and as a result the world was dragged into a five year conflict during which 50 million people would die. This film is a useful reminder of how one man’s obsession can lead nations and continents astray. That Hitler implemented the most barborous culling of innocent humanity that history has ever seen is well known; that his blind ego took him and his armies half way across Europe is also without question. What the film (and Beevor’s book) usefully illuminates is how deeply selfish and corrupt his vision for Germany and world domination was.

Hitler berates his generals for not listening to him when quite clearly they are at their wits end trying to reason with a man who never went to staff college and was fixated on flag-decked maps that bore no relationship to any kind of reality. (See also Beevor’s excellent Stalingrad for further evidence of this foolishness). Clearly Hitler harbored enormous hatred for the intelligent, educated German military minds that surrounded him; most likely a result of his insecurity at never having risen above the rank of Corporal.

Hitler successfully surrounded himself with psychotics and sychophants who constantly fed fuel to his burning ego – anyone who chose to disagree was branded a traitor and was sacked (if they were lucky) or shot: when one of his desperate generals, facing the firing squad, confronts Hitler with the truth about the military situation and shows some strategic sense Hitler promotes him and gives him the unenviable job of defending Berlin. The horrified general responds: “I’d rather have been shot.”

The most telling indictment however is Hitler’s distaste for the very people he had supposedly done all his beastly work for: the German people. As the Russian tanks draw closer Hitler orders every bridge, waterworks, power station and other public utility to be destroyed. Albert Speer reasons with Hitler telling him that his dearly beloved countrymen will need these important items when the war is over. Hitler spits back that the German people don’t deserve it and they should suffer for letting him down so badly. Yet the contrary is true. The German people didn’t deserve Hitler. This after all was a noble and beautiful country with a long history of great art and culture.

I think it is important that the film shows Hitler to be mere flesh and blood. Dismissing him as pure evil, like a being from another universe, is a way to avoid the issue that we are all potentially culpable if we allow someone that bad and evil to thrive in our midst. We need to be reminded that evil lurks among us and we must always be on our guard. A poll in Britain recently revealed this staggering piece of information: 90% of people under 20 believe that Hitler was a fictional character.

Useful reading:
Berlin: The Downfall 1945 – Antony Beevor
Stanlingrad – Antony Beevor
Delivered From Evil: The Saga of World War II – Robert Leckie
Hitler – Alan Bullock

BUSH WATCH
Valentine’s Day
The Prosecutor: One final question Sister Prejean. Could you please repeat for the jury your thoughts on The President.
Sister. Prejean: I hate the way he uses religion. It’s a sacrilege to me.
The Prosecutor (To the Judge): I rest my case M’Lud.

(Sister Helen Prejean, writer of Dead Man Walking, is quoted from the February 21st edition of TIME Magazine

Filed Under: Diary 2005

HEELS

March 7, 2005 by Nigel Dick

There’s plenty of heels in Hollywood. People who make promises they don’t deliver, people who lie…the list goes on and of course this is a lot of what Callback is about. Today I found a website devoted to heels.

I’ve decided there’s a laugh to be had if we can get Kevin Farley shoe-horned into a pair of platform boots. So I went to my first stop shop, e-bay, and started hunting. Before you could say, “Whip me senseless Mistress for I am an unworthy slave,” I’d stumbled across www.pleaserusa.com. Yes they have men’s platform boots – the silver stack 301’s look right up our alley – but my God do they have high heels or what? So this is where Betty Page did her shopping. Suddenly half an hour was gone and I’d completely forgotten why I was in the web-site to start with.

Anyway. Focus people! Now I need sand-bags. I know where I can get sand. Where can I get cheap / old / second-hand sand bags?

THE MAKING OF

Filed Under: Callback

HEELS

March 7, 2005 by Nigel Dick

There’s plenty of heels in Hollywood. People who make promises they don’t deliver, people who lie…the list goes on and of course this is a lot of what Callback is about. Today I found a website devoted to heels.

I’ve decided there’s a laugh to be had if we can get Kevin Farley shoe-horned into a pair of platform boots. So I went to my first stop shop, e-bay, and started hunting. Before you could say, “Whip me senseless Mistress for I am an unworthy slave,” I’d stumbled across www.pleaserusa.com. Yes they have men’s platform boots – the silver stack 301’s look right up our alley – but my God do they have high heels or what? So this is where Betty Page did her shopping. Suddenly half an hour was gone and I’d completely forgotten why I was in the web-site to start with.

Anyway. Focus people! Now I need sand-bags. I know where I can get sand. Where can I get cheap / old / second-hand sand bags?

THE MAKING OF

Filed Under: Diary 2005

CAMERA

March 2, 2005 by Nigel Dick

Callback has a camera. For all you tech heads – I did not get the Canon XL2 but at the last moment went for the Panasonic DVX1OOA. It was more affordable, requires less gizmos to get set up, and has an easier to use manual focusing system which, as DP Quickly won’t have a focus puller, is a big issue. Quality of the final product will not be compromised and I remain on budget. We also have a brand new set of legs, some filters and a nice blue carrying bag. And after spending all that hard-earned cash I got a free coat too! Thank-you Steve and everyone at Birns & Sawyer.

Insurance is proving to be a Catch 22 – unless I want to spend about 15% of my budget on insurance. And without an insurance provider I can’t start my SAG paperwork…and I have to file the paperwork three weeks before production can start.

I’ve been given a good address where to buy a wig for Joseph Wilt.

Frank Collison (The Village, Dr. Quinn, Hidalgo) has confirmed he’s going to play Karl O’Tour for us.

THE MAKING OF

Filed Under: Callback

CAMERA

March 2, 2005 by Nigel Dick

Callback has a camera. For all you tech heads – I did not get the Canon XL2 but at the last moment went for the Panasonic DVX1OOA. It was more affordable, requires less gizmos to get set up, and has an easier to use manual focusing system which, as DP Quickly won’t have a focus puller, is a big issue. Quality of the final product will not be compromised and I remain on budget. We also have a brand new set of legs, some filters and a nice blue carrying bag. And after spending all that hard-earned cash I got a free coat too! Thank-you Steve and everyone at Birns & Sawyer.

Insurance is proving to be a Catch 22 – unless I want to spend about 15% of my budget on insurance. And without an insurance provider I can’t start my SAG paperwork…and I have to file the paperwork three weeks before production can start.

I’ve been given a good address where to buy a wig for Joseph Wilt.

Frank Collison (The Village, Dr. Quinn, Hidalgo) has confirmed he’s going to play Karl O’Tour for us.

THE MAKING OF

Filed Under: Diary 2005

STEP ONE

February 23, 2005 by Nigel Dick

Unlike the storm, which has dumped more than 9 inches on us in five days and crippled my web connection, everyone who came to our first casting session shone. There were surprises too – dark horses emerged from the least expected places and after only one session I’m already in the initial stages of Director-Guilt / Subsection – casting.

If I hire person A (who might best suit the intended demographic of the movie) then person B (who might be a better actor) will be ignored. Person C (who was very good and needs a break) will be gutted if I hire person D who already has some decent credits and might help me get financing later on. If I hire person E then my friend, person F, might never talk to me again. Needless to say when I hire person G, people A through F will band together, hire a hit-man, and have me rubbed out on a dark street corner in righteous vengeance for not picking them. What ever I do I’m screwed.

After a long chat with the nice man at Birns & Sawyer I think it’s going to be the Canon XL-2.

THE MAKING OF

Filed Under: Callback

STEP ONE

February 23, 2005 by Nigel Dick

Unlike the storm, which has dumped more than 9 inches on us in five days and crippled my web connection, everyone who came to our first casting session shone. There were surprises too – dark horses emerged from the least expected places and after only one session I’m already in the initial stages of Director-Guilt / Subsection – casting.

If I hire person A (who might best suit the intended demographic of the movie) then person B (who might be a better actor) will be ignored. Person C (who was very good and needs a break) will be gutted if I hire person D who already has some decent credits and might help me get financing later on. If I hire person E then my friend, person F, might never talk to me again. Needless to say when I hire person G, people A through F will band together, hire a hit-man, and have me rubbed out on a dark street corner in righteous vengeance for not picking them. What ever I do I’m screwed.

After a long chat with the nice man at Birns & Sawyer I think it’s going to be the Canon XL-2.

THE MAKING OF

Filed Under: Diary 2005

BABY STEPS

February 17, 2005 by Nigel Dick

I’m strangely petrified – tomorrow will be our first official day of casting. Even with 450 productions under my belt this feels like a big step. I certainly have a new respect for casting directors – it’s taken me 2 days of phone-calls, e-mails and faxes to organise a schedule and get sides to just ten people.

I still can’t decide what camera to buy.

THE MAKING OF

Filed Under: Callback

BABY STEPS

February 17, 2005 by Nigel Dick

I’m strangely petrified – tomorrow will be our first official day of casting. Even with 450 productions under my belt this feels like a big step. I certainly have a new respect for casting directors – it’s taken me 2 days of phone-calls, e-mails and faxes to organize a schedule and get sides to just ten people.

I still can’t decide what camera to buy.

THE MAKING OF

Filed Under: Diary 2005

Bush Watch

February 14, 2005 by Nigel Dick

The Prosecutor: One final question Sister Prejean. Could you please repeat for the jury your thoughts on The President.
Sister. Prejean: I hate the way he uses religion. It’s a sacrilege to me.
The Prosecutor (To the Judge): I rest my case M’Lud.

(Sister Helen Prejean, writer of Dead Man Walking, is quoted from the February 21st edition of TIME Magazine

Filed Under: Diary 2005

THANK U

February 2, 2005 by Nigel Dick

As Bob Geldof once said to an unhelpful TV producer while we were getting Band Aid together (OK so he did most of the work!)…anyhow as Bob said, “I have a double-page spread in the paper on Monday. On the left hand page will be a list of all those people who have helped and on the right hand page will be a list of all those who haven’t helped…and right now yours is the only name on the right hand page!”

The thanks page on our site (the left side) will be up soon and it’s going to be a freakin’ nightmare keeping it current. Just today I’ve been given major favors and time by 10 people I know and by about 20 actors I don’t. What’s even more remarkable is that none of these folk stand to gain a damn thing from this movie other than a stab at glory and securing my undying gratitude – though I’m sure that some people might tell you that the shelf-life of my undying gratitude is roughly the same as a packet of defrosted shrimp.

To those left-pagers I say “Thank-you!” (you know who you are). To those right-pagers amongst you I say, “I have a double page spread in the paper on Monday….etc.”

(Feeling bored? Check out the BAND AID story in the DICK’S DIARIES section)THE MAKING OF

Filed Under: Callback

THANK U

February 2, 2005 by Nigel Dick

As Bob Geldof once said to an unhelpful TV producer while we were getting Band Aid together (OK so he did most of the work!)…anyhow as Bob said, “I have a double-page spread in the paper on Monday. On the left hand page will be a list of all those people who have helped and on the right hand page will be a list of all those who haven’t helped…and right now yours is the only name on the right hand page!”

The thanks page on our site (the left side) will be up soon and it’s going to be a freakin’ nightmare keeping it current. Just today I’ve been given major favors and time by 10 people I know and by about 20 actors I don’t. What’s even more remarkable is that none of these folk stand to gain a damn thing from this movie other than a stab at glory and securing my undying gratitude – though I’m sure that some people might tell you that the shelf-life of my undying gratitude is roughly the same as a packet of defrosted shrimp.

To those left-pagers I say “Thank-you!” (you know who you are). To those right-pagers amongst you I say, “I have a double page spread in the paper on Monday….etc.”

(Feeling bored? Check out the BAND AID story in the DICK’S DIARIES section)

THE MAKING OF

Filed Under: Diary 2005

4 LETTERS

January 31, 2005 by Nigel Dick

I am pressing onwards into the foothills and I sense my first view of the movie mountain is still many days walk away. However, like any mountaineer will tell you, this sherpa-like zen-test is not to be shirked or treated lightly: I am acclimatizing. But on some days I become more, rather than less, confused.

I am collecting a host of information on cameras. Canon XL2 – great, tried, tested, and has 24p and interchangeable lenses. The new Sony HVR-Z1U is HiDef and highly touted BUT it only has a fixed lens and is a new unit. There’s a commonly held opinion that a funny movie needs funny lenses – my bet is that the zoom on the Sony isn’t that funny. What’s the word people? Feel free to share…

Word is getting out about our plans and the letterbox is filling up with actors eager to join our team. My guess is that E-mail is making your average actor’s life easier: they point and click and I get a resume and a head-shot. Winners: the environment. Losers: USPS and printers all over the LA basin. However I will not be paying $29.99 to open the headshot I received this morning. I’m not a compu-genius but Adobe, Word and some other stuff has me covered so I’m saving that 30 bucks for something already in the budget!

I am definitely not 29 anymore. The cold dawn of this realization was delivered to me outside the Improv one night last week. I went to check out a highly touted stand-up guy for the movie, bought my ticket stood in line, and stood in line, and stood in line. After 45 minutes of listening to the guy behind me acquaint his buddies with the intracies up his upward career path and how he’d been ‘conversating’ all afternoon with this cool chick in a voice so loud that people in the Groundlings Theater (which is 10 blocks away) could hear him I split. a) I was in no mood to have someone make me laugh and I felt the stand-up guy inside was probably a stand-up guy and deserved better and b) it was late and I wanted to get my beauty sleep in before we get into production.

A word to describe me at this point. Four letters rhymes with gimp. Onwards people…

THE MAKING OF

Filed Under: Callback

4 LETTERS

January 31, 2005 by Nigel Dick

I am pressing onwards into the foothills and I sense my first view of the movie mountain is still many days walk away. However, like any mountaineer will tell you, this sherpa-like zen-test is not to be shirked or treated lightly: I am acclimatizing. But on some days I become more, rather than less, confused.

I am collecting a host of information on cameras. Canon XL2 – great, tried, tested, and has 24p and interchangeable lenses. The new Sony HVR-Z1U is HiDef and highly touted BUT it only has a fixed lens and is a new unit. There’s a commonly held opinion that a funny movie needs funny lenses – my bet is that the zoom on the Sony isn’t that funny. What’s the word people? Feel free to share…

Word is getting out about our plans and the letterbox is filling up with actors eager to join our team. My guess is that E-mail is making your average actor’s life easier: they point and click and I get a resume and a head-shot. Winners: the environment. Losers: USPS and printers all over the LA basin. However I will not be paying $29.99 to open the headshot I received this morning. I’m not a compu-genius but Adobe, Word and some other stuff has me covered so I’m saving that 30 bucks for something already in the budget!

I am definitely not 29 anymore. The cold dawn of this realization was delivered to me outside the Improv one night last week. I went to check out a highly touted stand-up guy for the movie, bought my ticket stood in line, and stood in line, and stood in line. After 45 minutes of listening to the guy behind me acquaint his buddies with the intracies up his upward career path and how he’d been ‘conversating’ all afternoon with this cool chick in a voice so loud that people in the Groundlings Theater (which is 10 blocks away) could hear him I split. a) I was in no mood to have someone make me laugh and I felt the stand-up guy inside was probably a stand-up guy and deserved better and b) it was late and I wanted to get my beauty sleep in before we get into production.

A word to describe me at this point. Four letters rhymes with gimp. Onwards people…

THE MAKING OF

Filed Under: Diary 2005

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